The installation consisted of four maps that contrasted gender gaps in areas such as wages and higher education. Two maps were computer-generated; animated visualisations extrapolated a dystopian future based on ongoing downward spiral trends. The other two maps used biological elements (plants, viruses, and bacteria) to represent an invigorated utopian nation, characterised by progressive socio-economic indicators. Utopia was conveyed by the equalitarian map landscapes and the use of natural elements as instruments for data visualisation.