Inspired by Suyari-Gasumi, a technique in old Japanese paintings and book illustrations in which empty space has its own materiality, like a mist, the project alludes to our own relationship to nature. It gives time to reflections.

This is also the KUMA LAB’s first costume design: a Washi prototype, recyclable paper dress for Komachi, to test the material’s flexibility and durability when the body moves. The dress is made by suspending layers, inspired by traditional Japanese armour detail (Shikoro), and accompanied by Mikimoto pearls.

Exploring the structural potential of paper for use in architecture and fashion, it also provides an educational and live performance opportunity for young musicians to study non-western techniques and showcase their talent. In addition, it offers young London designers the chance to participate in an ancient construction method, using golden kimono thread and Sekimori-Ishi (boundary-guard) stones.

Made from a new mix of plant-fibre and wood pulps, sprayed and moulded into cloud-form variations, the project’s filmed processes will lead to further studies.

Recorded in Goldsmiths, Komachi’s composition – played through Mineral Sound’s new stone speakers – includes the actual sounds of Washi paper interacting with the body, inspired by the Japanese concept of Sawari (the distinct noise on Japanese instruments born from frictional gestures on surfaces). A workshop with London Music Fund’s Senior Scholars, using graphic scores and improvisation, will lead to solo performances in The Nelson Stair.